\u201cThe playing is careful, but passionate\u201d<\/em><\/h2>\n\u2014Daniel Trocm\u00e9-Latter,\u00a0EARLY MUSIC<\/h4>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”1_2″][et_pb_testimonial admin_label=”Testimonial” author=”Neue Z\u00fcrcher Zeitung” url_new_window=”off” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” portrait_border_radius=”90″ portrait_width=”90″ portrait_height=”90″ body_font_size=”14″ use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Muster\u2019s playing captivated his audience through his immaculate technique, absolute precision and \ufb01rst-class musicianship. This was particularly evident in the choice of tempi and the careful evaluation and use of agogic accent in the phrasing of the music. In this way he was able to maintain the sense of anticipation even in those passages of Liszt\u2019s piece which were somewhat long drawn out and stereotyped. Muster\u2019s sensitive choice of registration clearly brought out the authentic tone colours of the late romantic works, strongly in\ufb02uenced by impressionism. A close link between the organist and his instrument, together with the acoustics of the building, was evident to the audience, contributing signi\ufb01cantly to a thoroughly convincing interpretation of the music.<\/span><\/p>\n[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_2″][et_pb_testimonial admin_label=”Testimonial” author=”Enrico Colombe, La Regione” url_new_window=”off” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” portrait_border_radius=”90″ portrait_width=”90″ portrait_height=”90″ body_font_size=”14″ use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
A wonderful beginning to the International Organ Festival in Magadino. The critic has nothing but praise for Thilo Muster. His playing manifested meticulous phrasing, \ufb01nesse in registration and a sensitivity to the acoustics of the church, all of which enabled the audience to appreciate the clarity of the counterpoint. The programme began with this year\u2019s compulsory piece, Bach\u2019s Prelude and Fugue in C Major (BWV 547). We were privileged to hear an immaculate interpretation, setting the tone for the entire Festival. Muster gripped the audience in particular with the forward-moving impetus of the Fugue and the precision with which he dealt with its extremely intricate harmonic structure.<\/span><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
What others say\u2026 \u201c\u00a0Quelle vie dans ce jeu !\u00a0\u201d \u2014L\u2019Orgue francophone \u201cThilo Muster\u2019s playing is exemplary and full of expression.\u201d \u2014Matthew Power, CHOIR & ORGAN \u201cThe playing is careful, but passionate\u201d \u2014Daniel Trocm\u00e9-Latter,\u00a0EARLY MUSIC Muster\u2019s playing captivated his audience through his immaculate technique, absolute precision and \ufb01rst-class musicianship. This was particularly evident in the choice […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"yoast_head":"\n
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